The Day After Tomorrow (2004) Film Abspielen

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Sie jetzt sehen können komplett Beschreibung The Day After Tomorrow unten:
  • Originaltitel : The Day After Tomorrow
  • Filmtitel in Ihrem Land : The Day After Tomorrow
  • Jahr der Film : 2004
  • Genres des Films : Action, Abenteuer, Science Fiction, Thriller,
  • Status-Film : Released
  • Veröffentlichungsdatum : 2004-05-26
  • Die Unternehmen der Film : Lions Gate Films, Twentieth Century Fox Film Corporation, Centropolis Entertainment, Mark Gordon Productions, Mel's Cite du Cinema,
  • Länder Film : United States of America,
  • Sprache des Films : English, 日本語, Français, العربية, Español,
  • Durasi Of film : 124 Min
  • Stimme durchschnittlich : 6.2
  • Youtube ID des Films : Ze8Gshk53Y8
  • Übersetzung von Film : TH,ID,FR,SV,DE,RU,TR,FI,ZH,CS,PT,HU,PL,NO,SR,HE,EL,UK,KO,PT,CA,RO,EN,IT,NL,DA,BG,JA,FR,ES,
  • Filmbesetzung :Kenneth Moskow (Bob), Jake Gyllenhaal (Sam Hall), Dash Mihok (Jason Evans), Mimi Kuzyk (Secretary of State), Russian Astronaut), Arjay Smith (Brian Parks), Michel 'Gish' Abou-Samah (Saudi Translator), Adrian Lester (Simon), Emmy Rossum (Laura Chapman), Glenn Plummer (Luther), Sasha Roiz (Parker), John Maclaren (Veteran Scientist), Jay O. Sanders (Frank Harris), Japanese Astronaut), Nassim Sharara (Saudi Delegate), Dennis Quaid (Jack Hall), Vitali Makarov (Yuri, Nestor Serrano (Gomez), Kenneth Welsh (Vice President Becker), Sela Ward (Dr. Lucy Hall), Austin Nichols (J.D.), Richard Zeman (Flight Director), Tamlyn Tomita (Janet Tokada), Christopher Britton (Vorsteen), Ian Holm (Terry Rapson), Russell Yuen (Hideki, Perry King (President Blake), Carl Alacchi (Venezuelan Delegate), Christian Tessier (Aaron)

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The Day After Tomorrow ist einer film erstellt von Lions Gate Films, Twentieth Century Fox Film Corporation, Centropolis Entertainment, Mark Gordon Productions, Mel's Cite du Cinema, das hat eine Beschreibung des Films "Lange prognostiziert, setzen sie plötzlich innerhalb kürzester Zeit weltweit ein, gewaltige Naturereignisse, die eine neue Eiszeit einläuten: Hagelstürme in Tokio, Schneefälle in Indien, Tornados über Los Angeles. Endlich reagiert auch die Regierung und evakuiert alle US-Bürger der südlichen Staaten nach Mexiko, während man mangels Zeit alle anderen dem sicheren Kältetod überlässt. Einzig Klimaforscher Jack Hall kämpft sich durch Blitzeis und Schnee nach Norden, denn sein Sohn sitzt in der New Yorker Bibliothek fest.". Der Film wurde mit hervorragenden grafischen Qualität hergestellt, beste Ohr Platzen Klangqualität und feinsten mit Schauspielern.

wenn ich erste lernen Film, ich bin nicht ganz sicher, wenn ich wie die meisten Vorstellung oder nicht. Nachdem ich es Ich werde einfach zu verwenden um darüber zu sprechen in dem i wirklich zu schätzen,. Ich empfehle dieser Film für die Menschen, einer der genre Action, Abenteuer, Science Fiction, Thriller, . es wäre besser, beobachten sie für kostenlos einfach durch Klick ein Knopf und registrieren, wie möglich beobachten Noten von neueste Filmtitel für keine Kosten.

... Online-Streaming- The Day After Tomorrow in HD-Format 1080p ....




Stunts : Marcello Bezina, Visual Effects Art Director : Alexander Laurant, Matchmove Supervisor : Alia Agha, Negative Cutter : Gary Burritt, Production Accountant : Manon Lapointe, Foley : Glenn T. Morgan, Technical Supervisor : Irfan Celik, Art Direction : Gerald Sullivan, Visual Effects Coordinator : Erica Headley, Sound Recordist : Tim Gomillion, 24 Frame Playback : Marie-Pierre Tétreault, Makeup Artist : Elisabeth Fry, Original Music Composer : Thomas Wanker, Author : Roland Emmerich, Visual Effects Supervisor : Greg Strause, Original Music Composer : Harald Kloser, Set Costumer : Arlynn Abseck, Camera Loader : Charlie Newberry, Sound Mixer : David O. Daniel, Steadicam Operator : Gary L. Camp, Visual Effects Producer : Raoul Bolognini, Transportation Co-Captain : Spiro Tsovras, Casting Associate : Scott David, Sound Designer : Randy Kelley, Camera Operator : Peter Hutchison, Gaffer : Logan Leabo, Roto Supervisor : Stephanie Taubert, Chief Lighting Technician : Jean Courteau, Carpenter : Jane Kilkenny, Digital Intermediate : Lorene Simpson, Hairstylist : Kathryn Powell, Key Hair Stylist : Janis Clark, Transportation Captain : John Bober, Visual Effects Supervisor : Rocco Passionino, Hairstylist : Sandy DeBlasio, 3D Animator : Jeremy F. Butler, Techno Crane Operator : Richard Boucher, Music Editor : Bob Beher, Visual Effects Supervisor : Jerry Spivack, Visual Effects Supervisor : Ian Hunter, Camera Operator : Eric Goethals, Supervising Sound Editor : Larry Kemp, Visual Effects Producer : Michael Meagher, Unit Manager : Paul Boutin, Visual Effects Editor : Nicolas Anastassiou, Second Unit Cinematographer : Tom Yatsko, Sound Re-Recording Mixer : Doug Hemphill, Author : Jeffrey Nachmanoff, Electrician : Paul Postal, Casting : Randi Wells, Camera Operator : Francois Archambault, Assistant Property Master : Eric Bardin, Set Designer : Karl J. Martin, Art Department Assistant : Una Martin, Construction Foreman : Eric Lafrance, CG Supervisor : Andrew Waisler, CG Supervisor : Dagan Potter, CG Supervisor : Hans Uhlig, Visual Effects Supervisor : Greg Anderson, First Assistant Director : Kim H. Winther, Storyboard : Timothy Burgard, Rigging Grip : Richard Complaisance, Dolly Grip : Alain Masse, Set Designer : Stephanie Gilliam, Still Photographer : Kerry Hayes, Sound Designer : Ann Scibelli, Makeup Artist : Sharon Ilson, Director : Roland Emmerich, Visual Effects Supervisor : Remo Balcells, Set Designer : Alex Touikan, 3D Artist : Zack Judson, Sound Effects Editor : Michael Kamper, Casting : April Webster, Unit Production Manager : Joe Dishner, Helicopter Camera : Steve Hertler, Location Manager : Kenneth E. Fix, Unit Publicist : Joe Everett, Visual Effects Supervisor : Conny Fauser, Line Producer : Tavin Marin Titus, Utility Stunts : Nick Brandon, Location Manager : Céline Daignault, Craft Service : Chris Winn, Camera Technician : Steven J. Winslow, Visual Effects : Kristen Branan, Stunt Coordinator : Branko Racki, Special Effects Supervisor : Louis Craig, Visual Effects Producer : Casey Conroy, Propmaker : Patrice Jacques, Visual Effects Editor : Michael Cavanaugh, Art Direction : Tom Reta, Construction Coordinator : Bruce Di Valerio, Set Designer : Steve Cooper, Visual Effects Producer : Mike Chambers, Supervising Art Director : Claude Paré, Digital Producer : Andra Bard, Co-Producer : Thomas M. Hammel, Production Design : Barry Chusid, Orchestrator : Frank Bennett, Lighting Supervisor : Chris Wells, Makeup Effects : George Tucci, Production Illustrator : Michael Meier, Editor : David Brenner, Set Dresser : Louis Dandonneau, Visual Effects Supervisor : Chris Watts, Set Designer : Caroline Alder, Color Timer : Michael Eaves, Script Supervisor : Kim Berner, Art Direction : Michele Laliberte, Set Decoration Buyer : Stacy Weddington, Visual Effects Producer : Petra Holtorf, Sculptor : Andrew Semple, Stunt Coordinator : Charlie Brewer, Driver : Chris Haynes, Set Designer : Hugo Santiago, First Assistant Camera : Michel Bernier, Property Master : Denis Hamel, CG Supervisor : Sean Andrew Faden, Costume Coordinator : Lyse Pomerleau, 3D Supervisor : Rina Strause, Production Coordinator : Danielle Boucher, First Assistant Editor : Robert Berman, Visual Effects Producer : Todd Isroelit, Production Manager : Daniel Auclair, Local Casting : Cate Praggastis, Associate Producer : Lawrence Inglee, Scenic Artist : Donald Beaulieu, Lighting Artist : David B. Menkes, Visual Effects Producer : Jody Echegaray, Third Assistant Director : Paul Drouin, Associate Producer : Kim H. Winther, Transportation Coordinator : Daniel Matthews, Utility Sound : Schavaria Reeves, Camera Operator : Gary L. Camp, Executive Producer : Ute Emmerich, Visual Effects Supervisor : Colin Strause, Musician : Maria Newman, Dialogue Editor : James Matheny, Systems Administrators & Support : Joe Ardent, Key Grip : Marc Andrus, Software Engineer : Chamberlain Fong, Executive Producer : Kelly Van Horn, Rigging Gaffer : Gilles Fortier, Special Effects : Neil Corbould, Still Photographer : Takashi Seida, Set Decoration : Victor J. Zolfo, Art Direction : Martin Gendron, Key Costumer : Valerie T. O'Brien, Location Manager : Lily Flaschner, Camera Operator : Bill O'Drobinak, CG Supervisor : David Prescott, Digital Effects Supervisor : Bryan Grill, Sound Recordist : Jon S. Trebilcock, Makeup Effects : Adrien Morot, Construction Coordinator : Michel Brochu, Steadicam Operator : Francois Archambault, Sculptor : Lucie Fournier, Makeup Effects : Sylvania Yau, Camera Operator : Georgia Packard, Boom Operator : Timothy P. Salmon, Sequence Leads : Jason Iversen, Sound Designer : Alan Rankin, Executive Visual Effects Producer : Marc Sadeghi, Video Assist Operator : Julie Garceau, Director of Photography : Ueli Steiger, Second Unit Cinematographer : Anna Foerster, Assistant Art Director : Camille Parent, Best Boy Electric : Edison Jackson, Executive In Charge Of Production : Vanessa R. Jordan, Post Production Assistant : Jeff Schweikart, Producer : Mark Gordon, Pre-Visualization Supervisor : Daniel Fort, Costume Supervisor : Kenn Smiley, Property Master : Claire Alary, Script Supervisor : Sophie Boyer, Camera Operator : Alfonso Maiorana, Executive Producer : Stephanie Germain, Loader : Amelie Duceppe, Visual Effects Supervisor : Richard Britton, Modeling : Yoshiya Yamada, I/O Supervisor : Ryan Beadle, Sound Recordist : Chris Walmer, Rigging Gaffer : Frank Dorowsky, Music Editor : Emanuele Arnone, Key Makeup Artist : Kathryn Casault, Makeup Effects : C.J. Goldman, Set Designer : Vincent Gingras-Liberali, ADR Editor : Kerry Dean Williams, Supervising Sound Editor : Mark P. Stoeckinger, ADR & Dubbing : Derek Casari, Costume Design : Renée April, Assistant Production Coordinator : Guylaine Boucher, Production Sound Mixer : Douglas J. Schulman, Construction Coordinator : Rejean Brochu, Post Production Supervisor : Jeffrey Harlacker, Sound Engineer : John Bires, Construction Coordinator : Alain Brochu, Costume Supervisor : Robert Q. Mathews, Set Production Assistant : Mariana Acuña Acosta, Set Decoration : Paul Hotte, Animation Supervisor : Danny Gordon Taylor, Art Department Coordinator : Nancy A. King, Second Assistant Director : Erik Ajduk, Transportation Coordinator : Javier Gunther, Visual Effects : Michael Leung, Finance : Linda Strause, First Assistant Sound Editor : Victor Ray Ennis, Art Direction : Réal Proulx, Casting : Andrea Kenyon, Leadman : David M. Milstien, Set Medic : Jean Marchand, Sound Recordist : Dennis Rogers, Visual Effects : Diane Macke, Sound Designer : Harry Cohen, Producer : Roland Emmerich, Dialogue Editor : Daniel S. Irwin, Conductor : Blake Neely, Visual Effects Supervisor : Karen E. Goulekas, First Assistant Editor : Quincy Z. Gunderson, Creature Technical Director : Vijay Myneni, Pilot : Al Cerullo, Digital Compositors : Sean Apple, Painter : Gloria Ciraolo, Casting Assistant : Bryan Riley, Stand In : Martin Brisebois, Lighting Technician : Stéphane Byl, Set Designer : Frédéric Amblard, Hairstylist : Réjean Forget, Grip : Joost Clerinx
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